- (ed.) Artificial Intelligence and Art History: Looking at Images in an Algorithmic Culture (Proceedings of the British Academy, 2026)
- ‘Artificial Exchange: Chatbots and the Ethics of Museum Experience Design’, in Museum Experience Design at a Time of Transformation, eds L. Calvi, A. Vermeeren and A. Sabiescu (Springer, 2025)
- ‘Eric Fischl: Navigating the Weight of History’ in Late America: Eric Fischl, ed. Heather Sealy Lineberry, exh. cat. Phoenix Art Museum (Milan: Scala, 2025).
- Art Auctions: Spectacle and Value in the 21st Century (Lund Humphries/Sotheby’s Institute of Art, 2024)
- Dialogues with Degas: Influence and Antagonism in Contemporary Art (Bloomsbury, 2023).
- ‘Humanist-in-the-Loop: Machine Learning and the Analysis of Style in Painting’, in Modelling Visual Aesthetics, Emotion, and Artistic Style, eds. James Z. Wang and Reginald Adams (Springer, 2023), pp. 219–227
- ‘From the Harlem Renaissance to Black Dada: Adam Pendleton’s Entangled Histories’, Burlington Contemporary (November 2022)
- ‘Art Markets, Epistemic Authority, and the Institutional Curation of Knowledge’, Cultural Studies, pp. 1–21 (Feb, 2022)
- Henri Matisse (Reaktion, 2021)
- ‘When Museums Meet Markets’, Journal of Visual Art Practice, 19:3 (2020)
- (ed.) Digital Humanities and Art History (Routledge, 2020).
- Matisse’s Poets: Critical Performance in the Artist’s Book (Bloomsbury Academic, 2017)
- Henri Matisse (Reaktion, 2021)
- (ed.) Art Markets and Museum Futures, Journal of Visual Art Practice, 19:3 (2020)
- (ed.) Politics and the Art Market, Journal of Art Market Studies, 3:1 (2019)
- (ed.) Perspectives on Degas (Routledge, 2017)
- (ed.) Interactive Contemporary Art: Participation in Practice (I.B. Tauris, 2014),
- (ed.) The Art Book Tradition in Twentieth-Century Europe (Routledge, 2013),
- Women Readers in French Painting 1870–1890 (Routledge 2012)